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REFLECTIONS IN THE WALL 
COPYRIGHT 2001 - AL KIMBALL

Webmaster note: This was sent to me by Al Kimball - 128th AHC Tomahawks. The following is his introduction to the article he wrote. 

I wrote about my visit to the WALL during rolling thunder. I have had it published in a local magazine but sent it to your site in care of the webmaster in hopes of having it posted there for the HAWKs to read.  I really appreciate the web page, it has helped me to confront the years and helped me to make the visit I wrote about.

I look forward to seeing it on the page. Please let me know if you can use it and if so, when it will appear. 
thanks again,  Al Kimball

REFLECTIONS IN THE WALL

I once saw a painting, artist unknown, titled "REFLECTIONS". It depicted a returned vet, right arm outstretched, head bowed, leaning against the WALL. While he wore civvies, had long hair and a beard, his reflection in the WALL wore jungle fatigues, flak jacket, and carried an M-16. Their outstretched hands met at the surface of the stone, fingers touching. The significance of this painting escaped me at the time, but it’s meaning was to be brought forcefully home to me years later by an experience of my own.

My first visit to the wall was in 1988 or 89, on a vacation trip to DC. While it was not my intention to visit the WALL, I happened upon it while touring the other memorials there on the mall. As I stood on the top of the rise, looking down on it, it seemed as though it’s curved shape was a giant reflecting antenna, radiating at me the force of the more than 58,000 names engraved there. The cold, dark marble seemed to represent to me the heart and soul of the nation and government that greeted our return 34 years ago. This was as close as I wanted to get at the time, I turned and walked away, not looking back.

I again visited the WALL in 1995, with my wife and best friend, Ruth. With her encouragement and support, I knew I could do it. As she walked by my side, I made the walk down the curved way, looking down at the memento’s others had left there for their lost loved ones. I cast furtive glances out of the corner of my eyes, not wanting to focus on the WALL, knowing if I did, my eyes would find a name I recognized. Once again I left without touching the WALL, or acknowledging the effect it and what it represented had on my life.

I have been an avid motorcycling enthusiast since I was a teenager, cutting my riding teeth on Cushman Eagles, Harley Hummer’s and 45’s, and riding an old rigid Panhead and Indian Chief when I was still in high school. I have recently been successful in infecting Ruth with this love of the ride, and she went so far as to sell her beloved 1950 Piper classic airplane to purchase her own 2000 HD Fatboy. Among our group of riding friends is another Viet Nam vet, Bruce Fuller, who, along with his wife Nova, are very active riders.

When hearing that Bruce and another member of our group, Jim Ennd, were planning a run to the ROLLING THUNDER ride to the WALL in DC, I decided this would be a good opportunity to again confront the WALL. I won’t go into detail about our ride up or back, as that is covered elsewhere in other articles. Another vet/pilot/rider friend from Florida, Mike Danforth, joined us in DC. Mike had never seen the WALL, and I went with him as he began the walk. I could go no further than the 2nd panel, and had to go back, tears streaming, bucking the crowds of people on the walkway. As Mike and I sat on the steps near the speaker’s stand, staring at the WALL, listening to the various presentations, Bruce and Jim walked up. Bruce had just had his own encounter with the WALL, and, knowing of my hesitation to confront it gave me encouragement to go back and do it.

With Bruce’s words in my ears, and Mike behind me, I again made the walk. I began by looking down at the messages and mementos, and as we walked I began to lift my gaze to the actual marble, and the names on it. We went to the panel, 01E, 1965-66, where but for an incredible amount of luck and the grace of a benevolent God, my name would be. The emotional feelings were incredible, and as I too leaned forward and touched the WALL, I came to realize the meaning of the painting I had seen so many years before.

Through the mist in my eyes, my reflection became an apparition, that of a gaunt faced, hollow eyed youth, wearing an APH-5 flight helmet and flak jacket, with the embroidered wings of an air crewman sewn above his left breast pocket. His arm stretched out, fingers touching the WALL where mine did, fingertip to fingertip. His message became clear to me then, seeming to say" Let it go, brother, let it flow through to me. I can carry part of the load for you." That was the message of the painting. Let those who made the ultimate sacrifice help those of us who made it back. My personal vision of the WALL changed then, I no longer saw it as cold and black and heartless. Those 58000 names gave it heart and soul and life and meaning, and it absorbed a bit of all of us who touched it.

There are the names of some of my brothers of the air on that WALL, and with the help and support of a loving wife and three brothers of the wind, Bruce, Jim, and Mike, I came to fully appreciate the symbolism of the WALL. The sleep may come easier now, maybe not; the dreams may be milder now, maybe not; but I have seen the reflection, and I understand.

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